Magenta seems to be a mix of red and blue, closer to blue. I'll see how that looks. I'll see if I want it ghostly (watered down) or more substantial (w/ white).
Nah, went with more of a burgandy kitty.
Striking, I think. 8-] I think I'll call it Catspaw.
First pass - catspaw coverlet background color in thalo green, thinned slightly with transparent medium.
As the theme for the exchange is "leftovers" I like the idea of recycling leftover blocks, in this case the two blocks for Foggy.
I went with a greenish color for the background and I'm thinking of a grapy-purple or magenta for the kitty cat. I'll see what looks good when the backgrounds dry (which in this weather, could be now).
Most of the pieces of paper are 2"x7", but they vary (they are leftover bits cut down from other projects). I only need 14 for the exchange. The others will make nice bookmarks. ;-]
Finally. Nothing like a pressing deadline to get me, er, pressing.
Foggy ("The fog comes on little cat feet.") is what I'm going to use for the Leftovers III exchange. It's made up of two blocks -- the background, an historic woven coverlet pattern called "Cat Tracks and Snail Trails" or "Catspaw," and the cat block, which is an homage to our late cat Foggy.
Leftovers III uses up leftover pieces of printmaking paper, and I like the idea of using "recycled" blocks for it. Here's the original print:
I'll play with the blocks. Print the coverlet block, then add the cat, maybe at an angle. I'll see what moves me. Maybe play around with colors.
Took me awhile to find the blocks. I'm certainly not an organized printmaker. ;- j I knew they were somewhere at the bottom of a basket-o-blocks, and they were. Found some others I'd wondered where they'd gotten to, so it was a productive morning's spelunking.
Here we go. Bill did the "laying on of hands" that always fixes my computer (mind you I did the same thing he did -- reseated a plug -- but I don't have the proper faith in computers that he does). So my scanner is now working again and I can make a faux print (i.e., a black & white, mirrored image of the block to see what a print might look like).
Ok, now all I have to do is get a local paper to wrap it up in (part of the requirement) and then send it winging off to the City of the World Puzzle Project.
Mea culpa. I'm chronically late, as usual. But here it is: my contribution to the City Puzzle Block. What is more ubiquitous than a pigeon on a balcony railing?
As soon as I figure out why my scanner is on a work stopage, I'll scan it in for a faux print. Then it will be winging its way to Maria Arango and the City of the World project.
I have 3 paleo pieces in the latest gallery show at the Valencia Town Center Mall. This is our second gallery show in this wonderful venue. Santa Clarita Artists Association's very own gallery. 8-]
There is a reception tonight with refreshments until 7pm. Come by if you're in the area.
I thought I might do something with my animals, or my back yard, but nothing suitably city-y occured to me (the fact that I live in a suburb might have something to do with it).
So recently I've been thinking about pigeons. They're ubiquitous in a city -- even a suburb. (On good days we call them doves; when they're fat and waddly from eating other birds' feed we call them pigeons.)
I've got a couple ideas I'm cogitating on, and soon I'll be carving on. The deadline approaches and tempus threatens to frangle.
What a project. One complication after another, but it's done now.
I'm calling it Denizens until something better occurs to me. I can't give in to my other title: Not Even a Mouse. That'd be the 3rd xmas print titled that. ;-> I really am a creature of habit.
Second block printed (all at once, as the rainy weather kept the ink from drying out). 8-]
I think the project was an overall success (altho at this point all I see are the glaring errors). ;- j
Now I wait for them to dry and then scan them into the computer and start making the xmas cards with Vista Print. I am so behind on this project. I think the xmas cards are going to be new year's cards this year. ;- y
Carved around the ornaments. They'll be less fiddly to ink now.
Because we're so dry right now (Santa Ana dry) I'm having trouble with ink drying out, especially when I ink up both the window and all the ornaments. So I'm thinking of printing them separately.
That'll be three printings with two blocks. What a complicated process this xmas card is turning into.
Test print of the window block went about as expected. The window area prints fine, but the ornaments are giving me troubles yet. For one thing I need to carve out the areas around the ornaments more so I don't get ink on the tree.
At least the two blocks line up -- I tested the window print and the tree print up against the patio door and they matched up. *whew*
The window was coming alive nicely, but the ornaments are still resisting ink. But rather than fight with the difficult little things I've decided to carve some more first. Next time will be better.
It does look kinda kewl overlaid with the green tree print.
Another thing I noticed tho was how paranoid I am about the two "blocks" being two sides of the same block. I'm just sure I'm going to mess one up somehow. I don't think I like being so frugal -- next time I'll use two separate blocks.
Still on block two. Ornaments isolated. Now working on the window and the mice.
Then I can make a test print for placement. Still have to carve ornament holes in the first block.
This part's going a lot faster.
I'm finding my erganomically designed carving tools are best for this part. I'd forgotten how comfortable they are in the hand since I've been using the finer Japanese tools. It's a trade-off; ease of use vs. smaller mm.
Ok, ready to do some test printing. Tomorrow. 8 hours is plenty of time for one day.
Short cuts always take longer. *sigh* Because I'd carved the original block differently than my cartoon I've had to trace and transfer the image with wax paper (the only thing I could see well enough thru on the block) and chalk onto the back of the block.
Now I'm carving away around the ornaments; next the window scene. Ugly, ugly work. I hate how the block looks.
Also need to carve a hole for the ornaments on the first block.
Less than pleased with the white line approach to this print. I inked the tree and powedered the ornaments and stray splotches but the job is labor and time consuming and less than satisfactory. Short cuts always take longer.
I'll go ahead and carve a second block of ornaments and the window scene and just carve away all the ornaments on the tree. Less time and labor in the long run.
I can use the back of the block tho that's a new concept as well. Learn something new with every project.
Almost done with the tree. Just a few ornaments left at the top. Then I can test print the tree and see how much trouble it'll be to clean up the ornaments each time.
Another couple hours of work this morning. I'll get back to it this afternoon.
BTW, I'm battling my way thru my supply of baltic birch. It's rather chippy. I'd gotten used to shina, which I much prefer and will go back to when these blocks are used up.
Block is stained and when it's dry I'll transfer the cartoon. I've decided to do a white line woodcut and ink it up and print it in two passes. This is pretty much what I do when I tap in colors and print at once, but this will be more like carving two blocks. I'll still have to take care with alignment.