Early bird and a cat squaring off over lunch. In the garden with grass and plantings (likely agapanthus, my favorite alien flower). Plantings go diagonally across the back. Maybe some greenery in the foreground or the mid-ground.
Bookkeeper getting more detailed. The detail I couldn't get into the etching. Also I'm really liking the color.
Paleo-Unicorn
Paleo-Unicorn is a failed print ~ the hand was all smeary. But adding color makes the whole ting dynamic. Color doesn't come across bright enough, nor does the gold and silver shimmer, but it's rather nice. Tina told me to stop, it was done. ;-]
Pastels and pan pastels on the intaglio etching Bookkeeper. In secondary colors. Tina had me add more darks and a redder purple in the medium shadows. Better.
Pan Pastel over woodcut ~ Canterbury Tails ~ The Knight's Tale. I like the composition but I've never been happy with the print, burnt sienna w/ black tapped in.
So I added pastel. I like it as a first try. I'll work on the color next time, but at least now it has depth.
My next pan pastel project is more complicated. I always intended to carve a second background block for my Early Bird. Now I'm thinking I'll add a garden view behind the guy with pastels. I'm googling garden scenes to spur a composition. Tina is fond of paths and trees. Maybe I can get something like that in the pic. I'll be coloring the bird brain too. I expect he'll be rather colorful.
Horses were barely visible; background wholly lacking. So it was a whole-cloth opportunity. Horses look good, but the rock face still needs more work. Striations and fissures in the rock. the sort of thing I usually carve, but am unfamiliar with drawing. Odd that. ;- p
Playing with my metallics ~ PanPastels. They shimmer but that doesn't come across in a still pic. Maybe I'll take a movie with my phone. It doesn't. Here's another one:
This one's a scan. Still no shimmer. Oh well. It's purdy in person. ;- ]
More pastely. I like this one better than last week's. Also I discovered it's a crisper print to begin with. I started with a taupey-gray print. Tina had me lighten up the cave opening 'cuz it was competing with the dragon. I picked up some more pastels. I need a couple more. Of course I do. ;- j
Colored a bw Paleo-Dragon print with PanPastels. Learned a lot. I used 3 colors: yellow, red & purple. I'd like something darker and something lighter to play with.
This is more or less what it looked like before I colored it. It was a little more tan and lighter.
Yay! Cards came back from Vista Print and they're great! Thumbprint doesn't do them justice. I can scan one in, but basically it looks like the woodcut.
"Christmas Snack" for Schuyler House 2014
I ordered 100 blank cards for my growing collection. One of these days I'll remember to offer them on etsy in time for folks to buy them for xmas. I have 4 different cards available now. ;- j I'm really pleased with this approach. I carved a black and white image ~ my wheelhouse ~ and then added pastels afterwards. Works best with a print that isn't saturated. A lighter print than I'd be happy with. Worked great for the xmas cards 'cuz I could saturate the colors on the scan before I submitted it. Worked great. I'll have to see if I can add pastels to a darker print now that it's had time to dry thoroughly. I'm liking the pastel approach. 8-]
It had to sit for a day so I could appreciate it. Right after I printed I wasn't sure I even had one good print. Typical. ;- j This is a slightly lighter print, but the pastel really makes it pop. And on a dark print:
Print is too dark for my taste, and is difficult to color with pastel. Cray-pas can do it (on the brown) but it isn't a smooth-looking. I can see if more drying will help the ink. And on a "perfect" print. Still harder to color.
Interesting experiment. No wonder Belinda Del Pesco colors pale and ghost prints. ;- ] Much easier. I have a couple more lighter prints I can play with. Here's another one: